GARZWEILER

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“GARZWEILER”

-Open Cast Coal Mining near Dusseldorf, Germany-

LORRAINE CROSS

Monday 7th – Sunday 13th September 2015

Signal Arts Centre is delighted to present an unusual exhibition of work
By the artist- Lorraine Cross-.

This exhibition will feature large-scale charcoal drawings and photography to gaze on this timely and provocative topic of mining in the industrial heartland of Germany.

An award-winning artist Cross-is known for her dynamic and thought provoking exhibitions on our use/abuse of fossil fuels. Garzweiler, built in the 1200s was the first village erased as part of industrial scale mining from the 1980s using massive machinery to dig vast open pits and railway tracks to transport the coal to the power plants dotted in plain sight emitting their carbon emissions. In the process of claiming land to mine the coal up to 30,000 people have been displaced along with their villages “for the Greater Good” of us all.

Cross-has exhibited in Italy and at home on this project over the past few years since learning of the involuntary displacement of people in order to mine coal beneath their homes. Drawn by the fact that so little is known about this upheaval of land and people she believes in the potential of the aesthetic experience to question reality and turn our political and ideological resignation that too often means we pull down the blind on what is happening around us.

Cross-believes that “If we can imagine the wider global effects of fracking, gas and oil explorations, then mining becomes more like sucking the guts from the core of the Earth.” She says “that ultimately this is not just about Germany but using art as a wake up call that we are all implicated as participants in the web of our ecological and human existence. It is up to us all to find some common space to reinvent an ecological intelligence about our complex world. If we demand this as cognitive and caring human beings then institutions will follow.”

Opening Reception: Friday 11th September 7-9 pm

All welcome!

Gallery Opening Hours:
Monday to Friday: 10am -1pm/2pm – 5pm
Saturday/Sunday: 10am – 5pm

http://www.signalartscentre.ie/

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PRINT TODAY 2015

“PRINT TODAY 2015”


For one week only an exhibition of works by a Group of Contemporary Artists

Monday 31st August – Sunday 6th September 2015

Signal Arts Centre is delighted to be exhibiting works by a group of Contemporary Artists from various countries including Ireland – Spain – Germany – Japan – Italy – Estonia and the Isle of Sark –

Printmaking covers an impressively wide range of activities and pictorial matter there is something for everyone here this exhibition is a combination of traditional and unfamiliar materials using purpose made tools and found objects.

This group exhibition will feature contemporary Artists each was asked to produce 8 images in a Print format the Art featured will include techniques such as Drypoint – Monoprint – Collograph – Etching – Mixed media and Photography.

Each print will have a maximum size of A5 and maximum sale price of €20.00

Signal Arts Centre and Art Focal Point have curated this exhibition

Opening Reception: Friday 4th September, 7-9 pm

All welcome!

Gallery Opening Hours:
Monday to Friday: 10am -1pm/2pm – 5pm
Saturday/Sunday: 10am – 5pm

http://www.signalartscentre.ie/

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Lifting the Bell Jar at Signal Arts

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‘Lifting The Bell Jar’

An International Group Exhibition
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From Monday 17th August to Sunday 30th August 2015

Signal Arts Centre is delighted to be exhibiting the work of five artists who, though based in Ireland, are originally from Scotland, Germany and South Africa, with one artist from Cork. This is the first group exhibition of this international collective and the work draws on a range of disciplines: textiles, mixed media, drawing, ceramics, photography and painting.
Whilst grounded in technically rigorous approaches, the work is nevertheless characterised by open-ended processes which suspend self-evident readings. Lifting the Bell Jar is a playful meditation on nostalgia, the act of re-membering and the construction of fabricated histories

Pulsing through the veins of the nation of Ireland is a desire for the handcrafted. Our ancestors were surrounded by such items. Articles of function, form and decoration were skilfully constructed by hand – from the intricately carved eighteenth century Penal crosses to lofty tables and chairs.
The contemporary work of the artists and craftspeople in Spontaneous Order was made with the same sensitivity and attention to detail as an Irish craftsperson would have used centuries ago. Each represented artist in the exhibition shows supreme respect for her medium and this is expressed in the quality of the pieces in the exhibition.

“We are an international collective of five artists based in Cork who work across a variety of disciplines. We naturally inspire each other so the work is an outcome of this ?cross-fertilization’, where we both unconsciously and consciously respond to each other’s output.”

“Our proposed show, Lifting the Bell Jar, is a playful meditation on the notions of memory, nostalgia and the imagination, in particular with fabricated histories. We look at the juxtaposition of the hermetically sealed and open-ended, the historical and nostalgic, the identifiable and what seeps out from the glass domes of categorisation.”

Sabine Weissbachs – current body of work focuses on collage in mixed media. By juxtaposing patterns with randomness, subverting narratives and following solely the internal logic of the image Weissbach creates works that are formally resolved but which, in terms of content, can leave the viewer somewhat puzzled.

Frank McGrath – sees his work as painting with the camera. McGrath combines traditional and contemporary methods of the photographic process, the resulting images evoke a sense of nostalgia creating a past that never was.

Christian Buchner’s – mixed-media drawings are a meditation-from-afar on gardening in Johannesburg, how this seemingly banal, enjoyable, everyday activity, on reflection, becomes entangled in the morass of ‘post’-colonial ambiguity. The resulting drawings are vestiges or traces of their subject, with allusions of whimsy and melancholy.

Helen Doherty – has always been interested in the relationship between identity and place, in particular the role which culture plays in moulding who we become. As a ceramicist and fine artist Doherty’s work concerns myth-making: by drawing on the past, yet bearing witness to the present, she tells stories to both ask and answer certain questions.

Lesley Stothers – work is characterised by a sensitivity to materials and scale. Working with textile techniques such as knitting, crochet, hand and machine stitching, Stothers also works in paper, wire and plastic, deconstructing book formats so that ‘like a journal chronicling a troubled life, it is also a nod to the act of memory and the way it can deteriorate over time.’

Opening Reception: Thursday 20th August 2015, 7-9pm
All welcome!

Gallery Opening Hours:
Monday to Friday: 10am -1pm/2pm – 5pm
Saturday/Sunday: 10am – 5pm

 

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Bridge Cafe Poets

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Bridge Cafe Poets

Developing Imagination for Writers and Poets

Thursday, 18th july, 2015

2 till 5 pm
at the
Bridge Cafe,
Castle street
Opposite to Super Value

Cost: 5 euro

Event details
Bridge Cafe Poets are delighted to  host a workshop with Catherine Brothy. Catherine is a writer, lecturer, broadcaster, story teller and above all else a wonderful facilitator (See www.catherinebrophy.ie)
Catherine rule of thumb is “You learn best when you are engaged and enjoying yourself”
So we are inviting all aspiring poets and writers to attend the workshop.

Contact
Bridgecafepoets@gmail.com
0857068534

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